Orchestra Conducting Conducting/Correpetition
The field of orchestra conducting stands for a high artistic and conceptual standard, which is supplemented by a significant proportion of practice-oriented project work. Therefore, the involvement of students in the rehearsals of ensembles is indispensable and a matter of course.
Your path to a successful career

Study
During the conducting studies, contact to professional practice is made possible through regular conducting appointments as well as rehearsals and concerts with regional partners. The students find their own gestural forms of expression in individual or class lessons, accompany each other at the piano and develop distinct ideas of interpretation and performance practice alongside the conducting technique. Additional modules for new and old music supplement the main subject lessons as well as piano, correpetition, score playing and sight-reading.
![[Translate to Englisch:] Hospitation Dirigieren in Opernproduktion/Foto: Ronny Waleska](https://www.hfmdd.de/fileadmin/_processed_/f/2/csm_2016_WALESKA-SNT--3616-NEU_ee7605702f.jpg)
Benefit from Local Diversity
The possibilities to observe Dresden music theatres (Semper Opera House, Landesbühnen Sachsen, Staatsoperette) as well as many regional choirs in the rehearsal and performance phase and to be able to work with them supports the diversity of the training.

Rehearsal and Stage Experience
Assisting the university orchestra, the opera class of the university and the auditory vowel offer conducting students of higher semesters a well founded learning of the rehearsal methodology. In addition, there are numerous opportunities for internships, repetitions and assistances with large orchestra associations in the region. Concerts in regional concert halls, churches and in the university's concert hall round off the study programme.
Faculty
Contacts for all professors, lecturers and staff can be found here
Alumnae & Alumni
Prof. Hartmut Haenchen
Chefdirigent am Schweriner Staatstheater, GMD der Niederländischen Oper, Gastdirigent Royal Opera House Covent Garden, Bayreuther Festspiele, Kopenhagen, München, Japan
Prof. Christian Kluttig
Kapellmeister und stellvertretender GMD in Chemnitz, GMD in Halle und Koblenz, Prof. für Dirigieren an der HfM Dresden und der HfMT Leipzig, Internationale Gasttätigkeit
Prof. Ekkehard Klemm
Chefdirigent in Altenburg, Greifswald und am Theater Vorpommern, stellvertretender Chefdirigent Staatstheater am Gärtnerplatz München, Prof. für Dirigieren HfM Dresden, Chefdirigent Elbland Philharmonie Sachsen 2017 - 2025, Leiter Singakademie Dresden 2004 - 2021
Michael Güttler
Chefdirigent in Klagenfurt, ständiger Gastdirigent Mariinski St. Petersburg, Chefdirigent Finnische Nationaloper 2013 - 2017, internationale Gasttätigkeit, u. a. in London, Paris, an der Mailänder Scala, in Glyndebourne und regelmäßig an der Wiener Staatsoper
Titus Engel
international gefragter Gastdirigent, insbesondere für zeitgenössische Produktionen, u. a. in Stuttgart, München, Salzburg, Berlin, Lucerne Festival; Gastdirigent Semperoper Dresden und Principal Conductor von Basel Sinfonietta
Katharina Dickopf
Chefdirigentin beim Sorbischen Nationalensemble bzw. Sorbischer Kammerphilharmonie
Diego Martin-Etxebarria
Leitung Art Ensemble Barcelona 2004 – 2007, Akademisches Orchester Freiburg 2010 – 2012, 1. Kapellmeister Theater Krefeld/Mönchengladbach 2016 – 2020, anschließend Oper Chemnitz, 1. Preis beim 17. Internationaler Dirigierwettbewerb in Tokyo 2015
Tim Fluch
Assistent des GMD Chr. Thielemann an der Staatsoper Berlin
Oksana Lyniv
Assistentin von K. Petrenko in München, GMD in Graz, Chefdirigentin in Bologna, international gefragte Gastdirigentin, erste Frau am Pult in Bayreuth, Gastspiele an der MET, in Paris, in Cleveland, Chefdirigentin des Ukrainischen Jugendorchesters
Hee Chuhn Choi
Professor an der Hanyang-Universität Seoul, Chefdirigent Korean Symphony, Jeonju Symphony und Suwon Symphony Orchestra
News from our Department
Benedikt Kantert, Dirigieren
Konzertförderung durch Forum Dirigieren
Dongjun Lee & Sungjin Kim, Orchesterdirigieren
Teilnahme an der Masterclass des Seoul Philharmonic Orchestras
Dongjun Lee, Orchesterdirigieren
3. Platz beim mdr Dirigierwettbewerb
Aisté Krivickaite, Chordirigieren
2. Preis bei 10th International Choral Conducting Competition TOWARDS POLYPHONY
Application Entrance Requirements
Studies Curriculum & Course Schedule
Contact Persons Conducting/Accompaniment
Valtteri Rauhalammi
Prof.
Musiktheaterkorrepetition
Studiendekan Dirigieren/Korrepetition
Sprechzeiten: Bitte per E-Mail vereinbaren
Olaf Katzer
Chordirigieren
Stellvertretender Studiendekan Dirigieren/Korrepetition
Leitung Hochschulchor
Leitung Klangnetz Dresden
Sprechzeiten: Bitte per E-Mail vereinbaren






